名人数据库推荐艺术家 王珑澔

     王珑澔，艺术家，提出《科学与艺术精神实验性创作理论》，四川美术学院油画专业毕业，天津美术学院油画高研班结业，中国当代艺术联盟精神艺术学会会长，中国人民网学术委员会委员，中国财富精英商会艺术顾问，国际当代艺术联合会理事，现代管理大学艺术研究员，中国佛教艺术书画院院士中国导向文化艺术研究院院长，今网书画院院士，澳洲悉尼特邀艺术家，重庆市美术家协会会员，2009年获中国百杰艺术家荣誉，2011年获全国美术联展二等奖，作品在国家博物馆收藏展出，2012年获政府《乌江文艺奖》，参加2013至2014《中国当代艺术联盟》系列展，作品入编《中国当代艺术文献》，2015年参加《中国新野性艺术家作品世界巡展》，作品参加56届《威尼斯双年展创造身份展》，2016年获全国《剑胆琴心》美术作品一等奖，2017年获《中国当代艺术联盟年度展》优秀奖，2018年参加100公众投票获中国最具创造力艺术家第二名，作为特邀艺术家2019年由外交部《世界知识画报》向美国，英国和澳大利亚推介，2019年参加济南《国际抽象艺术展》获优秀奖，2020年作品入编《中国新当代艺术图相》文献，2020年参加88届《艺术学术交流展》，部分作品先后由国内外艺术机构，基金会，奢侈品俱乐部，企业精英商会和高端收藏家收藏。
 

    Resume of Wang Longshu's Art
 

    Wang Longshu, an artist, put forward the theory of experimental creation of science and art spirit, graduated from Sichuan Academy of fine arts with oil painting major, graduated from Tianjin Academy of fine arts with oil painting advanced research class, President of China Contemporary Art Alliance spiritual art society, member of Academic Committee of China People's network, art consultant of China Fortune elite chamber of Commerce, director of International Contemporary Art Federation, art of modern management university Art researcher, academician of Chinese Buddhist art calligraphy and Painting Academy，President of China oriented culture and Art Research Institute, academician of Jinwang calligraphy and Painting Institute, invited artist from Sydney, Australia, member of Chongqing Artists Association, won the honor of China's top 100 artists in 2009, won the second prize of national art joint exhibition in 2011, and exhibited in the National Museum，

In 2012, he won the government's "Wujiang literature and Art Award", participated in the 2013-2014 "China Contemporary Art Alliance" series exhibition, his works were included in the "Chinese contemporary art literature", in 2015, he participated in the "world tour of Chinese new wild artist works", his works participated in the 56th "Venice Biennale creative body exhibition", and in 2016, he won the first prize of the national "sword, courage, Qin heart" art works,In 2017, he won the excellent award of the annual exhibition of China Contemporary Art Alliance, and in 2018, he participated in 100 public votes and won the second place of the most creative artist in China. As an invited artist, he was recommended to the United States, Britain and Australia by the world knowledge pictorial of the Ministry of foreign affairs in 2019. In 2019, he participated in the international abstract art exhibition in Jinan and won the excellent award. In 2020, his works were included in the new and contemporary art map of China Xiang literature, some of the works have been collected by domestic and foreign art institutions, foundations, luxury clubs, business elite chambers of Commerce and high-end collectors.
 

艺术家王珑澔

     《王珑澔的艺术观学术研究文谪》
 

    1： 艺术家通过个人独特的精神化艺术风格语言，表达艺术家本人对人性，自然，生死，环境的关注,思考中国文化艺术新思想和新形式, 艺术家本人认为中国艺术在主流风格和总体倾向上应坚持民族的文化根基和创作表现人性内在精神,在后现代主义国际的语境中发掘中国文化艺术的新精神、新生命、新形态，新观念，呈现独特时代文化传统底蕴，是追求精神映照的艺术家们艺术创造之根本，表现精神性的艺术创作思想是推动当代艺术发展的前提，艺术家作为艺术创作的主体，生活在不同的历时时代、必然受到时间、空间、地域环境，以及自身等因素的影响而形成艺术家的艺术思想精神反映和个人化的艺术创造风格，由此产生不同的艺术精神和思想和观念，哲学理念和审美取向。后现代艺术趋向精神表达似乎成为人的最好的创造方式或逃避现实方式，成为现代人的选择方式和存在方式。当代艺术成为一种生命与现实的抗争，是人生的精神诉求，而那种将后现代艺术视为反叛社会的“怪兽”，是不客观的和愚蠢的。后现代艺术精神就是要力图给沉沦于科技文明造成的生存环境日益恶化的非人性化境遇中的人们带来震颤，安慰在异化现象日趋严重的客观世界中吟痛的灵魂，叩问有限生命如何寻得自身的生存价值意义？因为正如柏拉图所说：唯有艺术才能救护正在不断失落的人类感性诗意化生命。后现代艺术不懈求新求异求变，通过艺术以其感悟生命所带来精神理想，这就是后现代艺术中传达出的当代人的艺术精神。总体上看，每一种文化都有自己的遗传基因。“人的一生就是在不断探索追问生命存在的意义，否则人与兽的存在方式就没有什么区别了”，人类善于用艺术感性方式进入对精神追求的诠释，这种感性的审美方式区别于其他如哲学、宗教的精神追求方式。

    2：艺术家王珑澔先生为自己的艺术取名为“精神性艺术”，事实上它仍然无法解脱与现代主义艺术的联系，只是这种继承与表现是以艺术反叛表现形式的姿态出现的，当一种艺术形式走到极端的时候，必然是一种否定式回归，艺术家认为精神呈现就是艺术表达最高境界，艺术家的作品关注自然和社会和未来，是精神哲学和思想者层面上的绘画，通过视觉艺术形式揭示出隐藏在精神深处的美，附绘画以哲理性和思想性，作品表现的凝重感的画面肌理，是艺术家“感觉到的是一般未被发觉的东西”展示于观众的面前，通过颠覆定势形象来作为强化画面形式达到精神表现的目的。这种物象变形是远离过去抽象主义对画面形象的变形，突出绘画的独立性，实现了反抗视觉表像上的那种惯性审美取向，从而体现对社会教条的反叛，死亡的不是绘画本身，而是过时的绘画艺术精神和表达语言。

   3：当代艺术的精神性表达是对现实世界所提出的问题的一种艺术创作思想，使人在精神和现实穿行于两个时空，达到人格心灵的净化和安慰。当代艺术精神是对现实的权力加以反抗，希望摆脱压制人性自由的意识形态和现实秩序，以精神自由的反抗和发展新艺术技巧形式表现来否定强权和艺术沦为强权者的奴仆，为人类精神开拓出一片艺术自由的新天地，拒绝现实强加于自己的法则和理式，坚持自己对生命和客观世界的理解。

王珑澔认为：艺术与科学是相通的，都是人类对宇宙和生命认识的解读过程，只是方法不同，一种趋于理性一种趋于感性，量子力学是一个新的物理学范畴，现代物理学家发现，电磁学和牛顿力学理论可以解释普通物体的运动，但在超微观世界下这些理论完全失效，在量子层面，物质同时以粒子和超光波的形式存在，粒子的位置和变化不能同时被精确地测量，但无论粒子之间的距离有多远，它们的状态是可以相互纠缠，这就是量子纠缠。在一个多世纪的发展过程中，诸如爱因斯坦和费曼这样的大物理学家都研究过量子力学，尽管人们对量子理论存在很多认识分歧，但目前还没任何一种理论能够否定它，不可置疑，现代量子科学与艺术创作精神性理论思想可以帮助人类解读生命存在意义与探索宇宙本质提供方法论，这也是王珑澔提出精神性艺术创作理论基础与目的。
 

    The Wang Long f. h. artistic value of academic research, fallen" 1: Artists through individual and unique spiritual style of language, to express the artist himself in humanity, nature, life and death, environmental concerns, new ideas and new thinking about Chinese culture and art form, the artist thought in mainstream Chinese art style and the overall tendency should adhere to the national cultural foundation and creative performance on inner spirit of humanity, in the context of the modern international excavates the new spirit of Chinese culture and art, new life, new form, new ideas, presents the unique era culture background, is the pursuit of spirit shine upon the foundation of art creation, artists perform mental ideas of art creation is a premise to promote the development of contemporary art, Artists as the main body of artistic creation, living in different inevitably is over a period of time, time, space, geographical environment, and the influence of such factors and the formation of art of the artist's thoughts reflect spirit and personal style of artistic creation, the resulting different artistic spirit and thoughts and ideas, philosophy and aesthetic orientation. Postmodern art tends to spiritual expression, which seems to be the best way of creation or escape from reality, as well as the way of choice and existence of modern people. Contemporary art has become a struggle between life and reality, which is the spiritual appeal of life. However, it is not objective and stupid to regard postmodern art as a "monster" rebelling against the society. The spirit of postmodern art is to try to bring tremor to the people who are immersed in the dehumanized circumstances caused by the deteriorating living environment caused by the scientific and technological civilization, comfort the souls who are crying their pain in the objective world with the increasingly serious alienation phenomenon, and ask how the limited life can find its own survival value meaning? For, as Plato said, only art can rescue the sense-poeticized life of mankind, which is constantly being lost. Postmodern art seeks the new, seeks the different, seeks the change, through the art perception life brings the spiritual ideal, this is the postmodern art in the biography。
 

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